The Freckled Bee, November 25, showing their support for the Black Lives Matter movement that has caused quite the national uproar this year.
More Than a Mom: The Journalism Blog
JN134
Thursday, December 3, 2020
Photo Story: The Freckled Bee
The Freckled Bee, November 25, showing their support for the Black Lives Matter movement that has caused quite the national uproar this year.
Friday, November 27, 2020
Lynsey Addario Book Report
Lynsey Addario’s approach to photojournalism is pure magic. She has a way with people, especially women, helping them feel as comfortable as possible in front of her lens. She documents life as it is with little posing, letting the subjects lead the shoot; a personal touch that gives her an upper hand when photographing warzones and victims alike. She takes each of her subjects into account with the utmost respect and gratitude. Whether it’s covering up nd diverting her eyes for Iraqi men or documenting rape victims in Africa, Lynsey is able to take on different roles in order to capture the truth of events around her. I appreciated her entire book, from her upbringing to finding the balance of supporting her family and her dreams. She is an astounding person.
Women go by many titles their lifetime like daughter, mother, wife and business woman. When I got to chapter 7 “Women Are Casualties of Their Birthplace”, I was not only consumed in disbelief by the stories she was told, but her passion to keep going back to these destructive places to get the stories of women who wouldn’t be heard or seen otherwise. When she visits the Democratic Republic of the Congo it’s moments like this when I understand why she has this passion for her career as a war photographer and the untold stories of war such as this. When she’s able to tell a story through her lens it connects to these Congolese women's words of recollecting the most traumatic time of their lives, revealing the titles they now carry; rape survivors and warriors. “The stories were unbearable. As a photojournalist, I felt there was very little I could do for the women in the DRC but record their stories. I hoped awareness of their suffering might somehow save them”. Her job as a photojournalist is to bring awareness to things we wouldn’t normally see, nor want to see. And that is extremely important to interpreting our own lives and putting things into perspective, as well as propelling society forward and making sure their stories don't go unheard.
Lynsey received her first grant to document gender-based violence and rape as a weapon of war in DRC, and raised money to help these women get surgeries for their fistula repairs. She also knew when to stop and put her camera down to help a dying woman. She didn’t have to, but she felt compelled because of her relentless empathic spirit to personally drive a woman to the hospital in her vehicle. I believe that is what separates her from ordinary photojournalists and extraordinary ones. I never would have been exposed to this story and others if it wasn’t for Lynsey doing the work. Her dedication is humanitarian work through and through. She is setting the new standard for photojournalists and women alike, and that’s why I think more people need to read this book; not just photojournalists.
I believe everyone could learn from Lynsey's relentless efforts of truth seeking and storytelling. I can relate to her more times than not throughout the book, but I don’t think I would have half the courage she has to keep wanting to go back (especially after being kidnapped multiple times). During this term when I was photographing I was able to make those I was photographing feel comfortable like Lynsey does. Obviously I wasn’t in any immediate danger like she was or dealing with victims, but I still hung around uncomfortable situations longer than I ever have before reading this book. Trying to tell a story behind the images I gathered to accurately report what was happening around me.
Some of my favorite images include the series of transgender prostitutes in New York, 1999 between pages 82 and 83. She’s documenting history and giving the public a peak into their personal lives and it’s really about how she sees people we may never see otherwise. Another image that stands out is Bibiane crying solemnly, between 210 and 211. In the telling of her story on page 148, this raw emotion Lynsey captures in the portrait image lets the reader feel how Bibiane felt in the moment of her telling Lynsey about her life. Just losing a child, financial struggles, and being abandoned by her husband after he learned she had been captured and raped repeatedly by three men. Not only becoming pregnant by her rapists, but those horrible men then leaving her HIV positive. The unimaginable in one image.
“It’s What I Do” is knowledge I will carry with me into my professional life and beyond. Even though I am not pursuing a career in the journalism field, I am taking Lynsey’s written tools and strong storytelling images to better understand the difference between my limitations and what beliefs may be limiting me.
Monday, November 23, 2020
Free Shoot Week 8: Salem's Riverfront Carousel
Friday, November 13, 2020
My Neighborhood
Friday, November 6, 2020
Free Shoot: Election Day November 3, 2020
Thursday, October 29, 2020
Normal Life During A Pandemic: Fred Meyer Jewelers
Goldsmith Vu Nguyen (54) looking through the scope at his next repair subject on October 27, making sure he knows exactly what he will need in order to complete the repair. If additional repair is needed that a sales professional did not discuss with the customer, the customer is notified at this point, before he takes it in and starts the repair process. Vu has spent 23 years practicing and perfecting his art.
Saturday, October 24, 2020
Photographer of The Week: Eve Arnold
Photographer of the Week: Eve Arnold
Eve Arnold/Magnum Photos. (2020Photograph: Eve Arnold/Magnum Photos. (2020, March 26). Eve Arnold’s most memorable shots รข in pictures. The Guardian. https://www.theguardian.com/artanddesign/gallery/2012/jan/05/eve-arnold-memorable-photographs
Friday, October 23, 2020
Environmental Portrait & Mug Shot
Friday, October 16, 2020
Around Town 2: Willamette Valley Music Company Salem, OR.
Friday, October 9, 2020
Around Town: Historic Downtown Salem, OR.
Friday, October 2, 2020
Humans of LBCC
Tuesday, September 29, 2020
Introductions are awkward, but important.
Introductions are right next to being sung happy birthday for me. Awkward and redundant, but necessary. I've never been really good at one particular thing, in grade school class introductions I can remember using really boring factoids like, "I don't drink milk", "I can't roll my "R's" and so on. I was always envious of the kids who came up with really cool facts about themselves.
And here I am, years later, introducing this new adult version of myself. I can't say much has changed, I still don't like milk, but I know that I have grown and continue to grow as I chase my dreams. If there is one thing I have always thought I was in tune with, it's people. Talking to them, listening to them, sharing experiences. I took every Psychology class LB had to offer, and yet I was trying to force myself into a medical career that would never bring me real satisfaction. This year has allowed me to take a step back and reevaluate everything important to me and what I hope to leave behind as my legacy. Pursuing my career in Psychology is just getting started, but I finally feel confident in my decision that this path will lead exactly where I am meant to be.
Growing up in a small town on the Southern Oregon Coast I was always taking pictures of the outdoors on my phone, and sometimes friends' cameras. I have been known in my friends group to always get the perfect angle, whatever the stakes, and take way too many pictures. Now that I have a small family most of my amateur photos taken on my IPhone consist of our son Porter, our dog Charlie, my husband Tyler and our many adventures.
This class is something I never thought I would take, but I'm glad I did because so much of the human experience as we know it is captured in photographs and reporting. Although it might seem like it's just another prerequisite, photojournalism has the power to influence minds, put faces to stories, and give life to what is happening outside of our current situations. The dynamism it has to spread empathy is limitless, and that happens to be one of my personal goals. I am hopeful I will learn about how photojournalist's shape the way we view our world, the responsibility that comes with that virtue, and how in our own stories we have an obligation to always remain true and factual to who we are so others feel comfortable to do the same.